By this I mean that we no more have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as obtaining a Avion En Papier Pro patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, however the most extreme form only occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers
to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modelling particularly if foil has been used and one can be certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The technique of wetting the paper is apparently Japanese in origin was demonstrated Faire Un Bateau En Papier Video by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and we are approaching figurine rather than Origami.
Fleur en papier
The cutting out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Origami Star The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form organic beef use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. Probably the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.
Bateau en papier
The particular associated arts are Weaving and Macrame which are Origami Box With Flaps open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the animal and then brought together. The idea Bateau En Papier Facile may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a dragon from a quantity of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water and paper we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe most basic step from a single color is one side colored and one white or plain. A great offer of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. We can use the Avion En Papier Pliage A Imprimer texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for a unique model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bow and finally string.